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ROLLING ON

by Danny Walsh Banned

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  • Compact Disc (CD) + Digital Album

    Debut album from Danny Walsh Banned. Recorded by Nao Anzai and released in Feb 2013.
    Packaged in gatefold case, with artwork by Tim Molloy and photography by Kate Seabrook.

    Includes unlimited streaming of ROLLING ON via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      $15 AUD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $7.50 AUD  or more

     

  • Full Digital Discography

    Get all 11 Danny Walsh Banned releases available on Bandcamp and save 30%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of WARRNAMBOOL [single], IN THE WIMMERA, RAKIN' IT IN [single], OLD DISCO [single], IT'S GOT A NOTE (HOT HIGHWAYS REMIX), IT'S GOT A NOTE / LITTLE ASTRONAUT "45 rpm single", NOTHING TO HIDE [single], The Reservoir Stomp, and 3 more. , and , .

    Purchasable with gift card

      $30.80 AUD or more (30% OFF)

     

1.
“Well there ain’t no hobo sitting here, I’m a tramp hey-o! I was riding freight trains longer than anyone I know 26 years on the tracks, now 32 on the streets And I ain’t even heard of Kerouac and the Beats” “Back in the Depression they rode in the ‘crummy’ Once I even had the pleasure to meet Boxcar Willie Thanks for your change son, on The Strip here there’s no glory But tell me about yourself Aussie guy and I’ll tell you my story” Well sometimes you’re heading off the rails and you can’t look back But the signals at the stations show you’re on the right track Yeah we all wanna break free, but your troubles won’t stay behind And the journey, ain’t so bad, with a friend, next to you you’ll find “When we rode all the way to Mexico we’d buy a kilo of tea Wasn’t there for my rail dog when he died, but he was always there for me When the houses in San Fran started going for a lot more then they’re worth I’d just go that rail yard and caught the next train smoking north!” “Hey here comes my pal Tumbleweed, well he’s like brother to me I impart wisdom on him while he provides good company He once fell off a rattler, with his buddy up near Fresno Haa I taught him a lot of things, but not everything I know!” Shiny shoes stumbling past carrying folks sticking on us labels The dollar beers we drink outside meant to keep ‘em in there at the tables This city flickers with the neon glow of many a false hero But none shine like the true stars in the gutter outside Denny’s Casino “Like the back of my hand is the West Coast from Redwoods down to San Diego In any yard could tell you which train was leaving when and where it’s gonna go Pal, in the morning let’s up and leave this sleepless town...” (and for a moment I was off with Ed and Tumbleweed… but then my own story had me…tied down…) Well sometimes you’re heading off the rails and you can’t look back But the signals at the stations show you’re on the right track Yeah we all wanna break free, but your troubles won’t stay behind And the journey, ain’t so bad, No the journey, ain’t so bad Yes the journey, ain’t so bad with a friend, next to you you’ll find
2.
Now that I’ve crossed hindsight with a different point of view I’ll say it again I’ve never been lost for something to do Oh yeah Twain said it’d be the worst kind if I wasn’t happy spending time with Pat Malone and I Stride the heavy streets at night the green man leads the way The list fading on the back of my hand to be left for another day Stop to smell the roses every time the wilted one in the gutter’s mine Yeah for Pat Malone and I Take the window seat if I can daydreams easily distract I like to take it out over the edge And hope to hell that it all comes back Well I don’t travel light never been in a fight taking my time like a trilobite For Pat Malone & I Yeah for Pat Malone & I
3.
The Texas wind was chilling, when I admitted I was lost Prepared to spend night with the stars and the morning with the frost Dismounting big ol’ Razor, next to this bed of ground The peaceful ‘eve was broken by a nearing stranger’s sound Came o’er the hill a lone rider, mounted tall and grand He said ‘Son what brings you down here to this God forsaken land’ I said ‘I’m on my way to no good and likely even worse’ But if he’d give directions, he could take this heavy purse In a land where laws were lead-based wounds, this was a fair man’s deal For he would send me on my way, keeping coin for his next meal But before our done transaction, there was something first he needed For a man who lives in nature knows, that when it calls you heed it The gentleman dismounted and his new boots took my eye Snakeskin top and Cuban heels, brand new spurs gleam either side He excused himself politely, and went and found a ponderosa pine While I turned west to see the sun’s last rays greet the old stars, oh how they shine! Suddenly there was a scream, had this man met a rattler's bite? But then I turned around to see him shoot up into sky and disappear right out of sight! I swear on 1000 bibles, I believe just what I see and hear and looking up into the sky where he went, I saw a brand new star appear So remember boys when you're riding and the sunset greets the night And one of life's little challenges, has kept you from your plight Look up for the tall grand rider in the sky and heed his vital lesson Don't get lost in Texas boys...and don't squat with your spurs on
4.
PAGE 29 03:37
She drove round the bend Just like he would have thought a strange kind of symmetry keeps their bridge taut he looked into the sun blinded but no mistake she puts it into third and does a double take coz when you build a freeway you’re gonna get a traffic jam everything at once forget about a plan stop for a second and understand that we’ve been here before we live years of time on page 29 you know when it’s meant to be you know when your cheque’s unsigned from a drive-through he picks flowers from a bottle she picks the label And on the edge of the night we’re all standing on a table Well his jaw moves slowly but her eyes won’t meet Words fall apart now there’s letters at your feet Arrange them as you please but it still won’t read What you mean to me Half a moon above With two stars Smiling through the clouds And straight through the glass Well it’s easy Easy to miss What you’re not looking for Now see this well she’s looking out the window to the nearing city glow a siren comes towards with a howling baritone a shuddering reflection then she’s sitting on her own while our train keeps rolling on our train keeps rolling on our train keeps rolling on
5.
BUSKER KID 03:35
Well his third girlfriend left him before he was nine and kids out in the school yard gave him a really hard time only one thing to do for a lost young soul is to pick up a six string and play rock n roll eyes shut, lean back, turn the volume up, busker kid sold his bike on ebay, went and bought an amp and guitar he sat and learnt to play from George Kamikawa was told that to get anywhere takes struggle, hard work he sold his soul to the devil down at Swanston and Bourke long hair, people stare, he don’t care, busker kid people drawn in to the sounds forget their shopping lists and half price mark downs he’ll make them happy he knows that he can as he jams along to the beat of the tram Long hot dry summer down at the corner always straight after school while the other kids put stamps in albums and go swimming down at the pool folks walking by stop and sit on the benches and give him silver leftovers of shopping adventures hot riffs, fat licks, busted picks, busker kid Now his folks are getting worried that it’s more than a fad ‘is this what you want to do with your life’ said his dad he says’ I’m gonna travel the world, I’m gonna see all the sights and maybe one day my name will be in lights’ hoodoo voodoo, boogie chillun, busker chile hot riffs, fat licks, busted picks, busker kid long hair, people stare, but he don’t care, the busker kid eyes shut, lean back, turn the volume up, busker kid
6.
Did I tell you about the man out there? flying without a net allowing for the wind he ain’t learned to fall yet Somethin’s gotta give… Chase the moth from the light ooh handle with care you get silver lined fingertips touch things Midas wouldn’t dare Somethin’s gotta give… You’re in the headlights man your teeth wearing to the floor thin as Bible paper even your cereal ain’t good for you any more Somethin‘s gotta give… A toxic plume above a blistered heart within rising damp from below and an itch under the skin Somethin’s gotta give… Chose your own adventure darling but remember rule of thumb let’s go and see a movie now and stay until all the credits are done Somethin’s gotta give…
7.
PLASTIC MAN 05:11
Ain’t no world for a plastic man No one here for a plastic man Shed no tear for the plastic man Coz he can’t weep for noone He’ll steal yer heart right from ya chest You’re thinking oh that he knows best But Plastic man won’t get no rest ‘Til he got satisfaction Simple pleasures for the plastic man But this complicate yer life god damn Ever good times with the plastic man But it won’t be forever Nothin’ left to lose for the plastic man Everyone to use for ol’ plastic man You’re life confused by Mr. Plastic Man And don’t expect nothing from him Everybody loves the plastic man But no one's close to the plastic man He’ll drift through life like an empty can Rolling in the gutter...
8.
THE THINGS WE DARE NOT TELL – Henry Lawson The fields are fair in autumn yet, and the sun's still shining there, But we bow our heads and we brood and fret, because of the masks we wear; Or we nod and smile the social while, and we say we're doing well, But we break our hearts, oh, we break our hearts! for the things we must not tell. There's the old love wronged ere the new was won, there's the light of long ago; There's the cruel lie that we suffer for, and the public must not know. So we go through life with a ghastly mask, and we're doing fairly well, While they break our hearts, oh, they kill our hearts! do the things we must not tell. We see but pride in a selfish breast, while a heart is breaking there; Oh, the world would be such a kindly world if all men's hearts lay bare! We live and share the living lie, we are doing very well, While they eat our hearts as the years go by, do the things we dare not tell. We bow us down to a dusty shrine, or a temple in the East, Or we stand and drink to the world-old creed, with the coffins at the feast; We fight it down, and we live it down, or we bear it bravely well, But the best men die of a broken heart for the things they cannot tell.
9.
Night comes every day Night brings blues out to play Night comes, light fades away Night comes, and wants to stay Inside, so forlorn Outside, a thread of dawn Search in, shadows undefined Preying, right on my mind! Listen, sounds of the night Tap drip, clock tick, loud cat fight Snake-holes through glassy eyes Windows, to darker skies! Night comes every day Night brings blues out to play Night comes, light fades away Night comes every day
10.
and the journey ain't so bad with a friend next to you, you'll find... see ya!

about

All songs by Danny Walsh, except ‘Ed and Tumbleweed’ and ‘Page 29’ by Adam Redfern/Danny Walsh and ‘The Things We Dare Not Tell’ words from the Henry Lawson poem.

Produced by Danny Walsh and Nao Anzai
Recorded on tape by Nao Anzai at Soundpark Studio, Reel 2 Real Mix Master and at Danny’s joint
Mastered by Nao Anzai at Reel 2 Real Mix Master.

artwork by Tim Molly www.facebook.com/tim.molloy.art
photos by Kate Seabrook www.kateseabrook.com

credits

released February 1, 2013

Banned for life:
Johnny Livewire: plays bass on all, banjo on 1, some guitar on 5 & 8 and backing vocals on most
Dave Mudie: plays drums on all
Adam Redfern: plays lead guitar on all
Danny Walsh: sings on all, plays acoustic & electric guitars, harmonica, acoustic & electric mandolin, piano on 3, assorted percussion including that shaker made from llama toenails, the ‘Sherremin’ and made some field recordings.

Banned aids:
Lucy Dwyer: sings her heart out on 7, backing vocals on 1, 10. Kat Mear: fiddle on 1, 3, 9, 10. Ben Franz: pedal steel on 3, 4, 7, 9. Leo Tellefson: piano on 4, 5, 10, backing vocals on 10. Van Walker: backing vocals on 1, 6, 10. Liz Stringer: backing vocals on 6, 10 Nao: Hammond on 6, Moog on 8, cabasa on 1, 10. Greg Foletta: trumpet on 2, 9. Giuliano Ferla: trombone on 2, 9. Tom McCathie: didgeridoo & bird calls on 9. Alicia Bendall: piano on 2. Jeremy Furze: congas on 9, backing vocals on 10. Ant Webb: sitar on 9, backing vocals on 10. Also singing along on 10 are Emma Peel, Julia Walsh and Robbie Raats and track includes live in the Litchfield Hall: Weed, Wattsy, Stevie B, Steve, Terry, Gary and a hall of floor stompers.

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Danny Walsh Banned Melbourne, Australia

The Danny Walsh Banned have been playing fever-pitched shows and jumping on tables for over a dozen years, serving up country-soul and rock’n’roll flavours infused with a touch of 70s Aussie boogie that will probably have you dancing on the tables, too.
“Walsh’s lyrics depict each landscape and emotional swirl with the caress of a bona fide bush poet...looking back and yearning ahead”' - Forte Mag
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